DON CARLO
De Netherlandse Opera, Amsterdam
2004
Opera in 4 acts, sung in Italian
Don Carlos = Rolando Villazon
Philip II = Robert Lloyd
Elisabeth de Valois = Amanda Roocroft
Rodrigo = Dwayne Croft
The Princess of Eboli = Violeta Urmana
Grande Inquisitor = Jaakko Ryhänen
A friar = Giorgio Giuseppini
Tebaldo = Marisca Mulder
The Count of Lerma = Kristian Benedikt
A Royal Herald = Rudi de Vries
A Voice from Heaven = Cincia Forte
Conductor = Riccardo Chailly
Royal Concertgebouw Orchestra
Chorus of De Netherlandse Opera
Stage Director = Willy Decker
Set Design = Wolfgang Dussmann
Costume Design = Wolfgang Dussmann, Susana Mendoza
Lighting Design = Hans Toelstede
Dramaturgie = Klaus Bertisch
2 DVDs = 2h 49 m
+ extras
DON CARLO
The Royal Opera House, London
2008
Opera in 5 acts, sung in Italian
Don Carlos = Rolando Villazon
Philip II = Ferruccio Furlanetto
Elisabeth de Valois = Marina Poplovskaya
Rodrigo = Simon Keenlyside
The Princess of Eboli = Sonia Ganassi
Grande Inquisitor = Eric Halvarson
A friar, Carlos V = Robert Lloyd
Tebaldo = Pumeza Matshikiza
The Count of Lerma = Nikola Matisic
A Voice from Heaven = Anita Watson
Priest Inquisitor = Alexander d'Andrea
Conductor = Antonio Pappano
Royal Opera Chorus and Orchestra
Stage Director = Nicholas Hytner
Designs = Bob Crowley
Lighting Designer = Mark Henderson
Movement = Scarlett Mockmin¨
Fight Director = Terry King
2 DVDs = 3h 30m
Pure delight both versions.
Willy Decker is the claustrophobic version. They are all trapped. They are so awkward, Elisabeth and Carlos in this version that one can not envision them not blunder about. The Nicholas Hytner version with 5 acts starting with Su, cacciatore... has much to offer, beauty and a superb cast with Ferruccio Furlanetto as Philip and the wonderful Rolando Villazon as poor, awkward Don Carlos who can't do anything right.
Of the 8 versions of Don Carlos I have on DVD
I chose
Salzburg 2013. Jonas Kaufmann
Salzburg 1986. Jose Carreras
Royal Opera House, London 2008. Rolando Villazon
For reviews from my travels, see www.operaduetstravel.com
Showing posts with label Rolando Villazon. Show all posts
Showing posts with label Rolando Villazon. Show all posts
Saturday, 16 May 2015
Sunday, 7 August 2011
Mefistofele, by Boito
1997-06-24 Mefistofele (Boito), Wiener Staatsoper
Mefistofele = Egils Silins
Faust = Keith Ikaia-Purdy
Margherita/Elena = Michele Crider
Marta/Pantalis = Nelly Boschkowa
Wagner/Nerèo = Ruben Broitman
Michael Halász, conductor
Spielleitung - Lorenza Cantini, Diana Kienast
Choreographie - Antonella Agati
Choreinstudierung - Dietrich D. Gerpheide
So in 1997 I saw this opera in Wiener Staatsoper. This opera is just like Gounod's Faust taking its story from Goethe's Faust. The problem with Boito's opera is that it tries to take everything, it has a Prologue, Opera and Epilogue. It is too much and so it does not have the same strong focus as Gounod's opera has. And therefore we don't care so much. Plus Gounod has better tunes. On my "review" I mention that it has some glorious music, but I don't remember anything from it.
From my iTunes:
MEFISTOFELE - Giunto sul passo estremo 3:03 José Cura 6 av 12 Aurora : opera arias - José Cura BOITO, Arrigo (1842 - 1918) 2002
MEFISTOFELE - Dai campi, dai prati 2:33 Rolando Villazon 4 av 15 Cielo e mar - Rolando Villazon BOITO, Arrigo (1842 - 1918) 2008
MEFISTOFELE - Giunto sul passo estremo 2:38 Rolando Villazon 12 av 15 Cielo e mar - Rolando Villazon BOITO, Arrigo (1842 - 1918) 2008
MEFISTOFELE - Giunto sul passo estremo 2:44 Plácido Domingo 4 av 10 Domingo conducts Milnes, Milnes conducts Domingo BOITO, Arrigo (1842 - 1918) 1972
MEFISTOFELE - Dai campi, dai prati 2:09 José Carreras 13 En Romanza Final - Julian Gayarre BOITO, Arrigo (1842 - 1918) 1986
Dai campi, dai prati from Act 1 Scene 2
Giunto sul passo estremo from the Epilogue
LESSONS FROM THE OPERA: Better focus = the better opera. And naturally don't believe the devil.
Possible reading: Goethe's Faust, or just biograhies of Goethe.
For more reviews from my travels, see www.operaduetstravel.com
Mefistofele = Egils Silins
Faust = Keith Ikaia-Purdy
Margherita/Elena = Michele Crider
Marta/Pantalis = Nelly Boschkowa
Wagner/Nerèo = Ruben Broitman
Michael Halász, conductor
Spielleitung - Lorenza Cantini, Diana Kienast
Choreographie - Antonella Agati
Choreinstudierung - Dietrich D. Gerpheide
So in 1997 I saw this opera in Wiener Staatsoper. This opera is just like Gounod's Faust taking its story from Goethe's Faust. The problem with Boito's opera is that it tries to take everything, it has a Prologue, Opera and Epilogue. It is too much and so it does not have the same strong focus as Gounod's opera has. And therefore we don't care so much. Plus Gounod has better tunes. On my "review" I mention that it has some glorious music, but I don't remember anything from it.
From my iTunes:
MEFISTOFELE - Giunto sul passo estremo 3:03 José Cura 6 av 12 Aurora : opera arias - José Cura BOITO, Arrigo (1842 - 1918) 2002
MEFISTOFELE - Dai campi, dai prati 2:33 Rolando Villazon 4 av 15 Cielo e mar - Rolando Villazon BOITO, Arrigo (1842 - 1918) 2008
MEFISTOFELE - Giunto sul passo estremo 2:38 Rolando Villazon 12 av 15 Cielo e mar - Rolando Villazon BOITO, Arrigo (1842 - 1918) 2008
MEFISTOFELE - Giunto sul passo estremo 2:44 Plácido Domingo 4 av 10 Domingo conducts Milnes, Milnes conducts Domingo BOITO, Arrigo (1842 - 1918) 1972
MEFISTOFELE - Dai campi, dai prati 2:09 José Carreras 13 En Romanza Final - Julian Gayarre BOITO, Arrigo (1842 - 1918) 1986
Dai campi, dai prati from Act 1 Scene 2
Giunto sul passo estremo from the Epilogue
LESSONS FROM THE OPERA: Better focus = the better opera. And naturally don't believe the devil.
Possible reading: Goethe's Faust, or just biograhies of Goethe.
For more reviews from my travels, see www.operaduetstravel.com
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